By Anna-Sophie Jürgens
For centuries, clowns occupied an ambiguous cultural position. They were comic figures, but also disruptive ones: tricksters who mocked authority and social conventions, picaresque mischief-makers who challenged canons of elegant appearance through their own distinctive, subversive style.
The 19th century French mime Jean-Gaspard Deburau transformed the melancholic white-faced Pierrot into a modern icon of theatrical artifice and fashionable alienation.
Around the same time, the British star clown
