The facts are there, hidden behind a curtain in Arianna Economou’s rehearsal space in old Kaimakli: shelves upon shelves of boxes, the earliest dated ‘1983’. This is her personal archive, the official mementos – videos, photos, flyers – of all the modern-dance pieces she’s performed and choreographed in the past 50 years.
The facts are there, but otherwise elusive. I’m running late, and don’t have time for the usual in-depth
